I’m not a fan of AI.

There. I said it.

This time I know what I’m talking about, too.

In September, I completed a course called Introductory AI for Editors, which was taught by a seriously brilliant instructor named Erin Servais. In this online course, we students learned how to use AI to perform copyediting, developmental editing (AI is better at editing fiction here), research, and fact-checking. We also explored many of the ethical considerations of using AI in editing.

I am very glad that I took the course, because now I am much more versed in what AI can do, and I know how to use AI to do it. Also, Erin is a phenomenal instructor and her assistant, Katie, gives wonderful feedback on the homework assignments.

That having been said, I am turned off by the use of AI in editing and writing.

For one thing, many people are using AI to write cover letters for job applications now. I think this practice is dishonest. The point of a cover letter is to show the potential employer how well you can write. AI can write a wonderful cover letter (for one of our homework assignments, I had ChatGPT do this), but all it really shows is how well you know how to prompt AI. It’s like asking your brother to write a cover letter for you.

It’s the same thing with blog posts. I want you all to know, dear readers, that each one of the posts on this blog are 100 percent written and edited by me. Many people have AI write their blog posts for them now. Of course, it saves a lot of time, since AI can write a blog post in seconds. But are you really getting to know an editor and how well they work when you read a post that they didn’t even write?

As for the developmental editing of fiction, I have less to say, since I do not edit fiction. However, I really don’t think I would want to read a novel that had been developmentally edited by AI. I want the author to think for himself or herself about character and plot development and such. Or at least I want a human editor to have read the book and make such suggestions.

What do you think of using AI in editing?

Motivated and alone

In my last post, I indicated that this week’s entry would be about how to stay motivated when you freelance and work alone every day. Here we go…

When you are your own boss, it can be very tricky not to go too easy on yourself. Of course, you should not beat yourself up or call yourself incompetent every time you make a mistake. Still, you should not tell yourself that it’s okay to take every other day off or nap during every workday. You need to stay motivated if you want your freelance business to succeed.

So how do you do that?

Probably the most effective thing that motivates me is deadlines. Every project I have comes with a deadline that I had better meet. I am proud and happy to say that I have never missed a deadline in my years of running a freelance editing business. When I receive a project, I plan how much work I will do every day up until the day before the deadline. I always plan to finish a project at least a day before the deadline in order to give myself some breathing room.

Another powerful motivator I have is my husband. He loves it when I work hard. Don’t get me wrong—he’s not the “crack the whip” type. But he does like to see me make money (let’s admit it—who doesn’t like to see their spouse do so?). And when he is happy, I’m happy.

This might seem incongruous given that it doesn’t have to do directly with my work, but getting to the gym in the morning motivates me. Oftentimes, it’s the only opportunity I have to get out of my condo building. And having a good workout or a good swim makes me want to throw myself into work when I get home. (I don’t really know why, but it works.)

If you freelance and work alone all day, how do you stay motivated?

Going crazy working from home alone? Not me.

I am an introvert, so I really don’t mind working alone. It’s just me, sitting at my computer, with minimal distractions. No beeping coming from the office fax machine. No phones ringing (my husband and I ditched the landline in 2010, and I can silence my cell phone any time I want to). And, most importantly, no coworkers having a conversation near my workspace. The only distractions I usually deal with come from outside my window.

I would imagine, however, that an extrovert would go crazy doing what I do. From what I understand, extroverts thrive on the company of other people. (Do they? I have never been one, so I am not certain.)

If I had to give advice to an extrovert who freelanced alone from home, my top piece of advice would be the following: Join at least one professional organization.

This is the best way to avoid isolation. I am a member of the Editorial Freelancers Association (EFA) and American Copy Editors Society (ACES), and I credit these two organizations for helping me meet other editors, interact with them, and exchange tips, advice, and encouragement with them. I have met many independent editors through Zoom webinars, and a lot of them I have never seen, but I interact with them in discussion forums.

The bonus? Finally meeting these editors in person at an organizational conference. I did this two years ago at EFACON in Alexandria, Virginia.

Another tidbit of advice that I would give a freelancing extrovert is to take a break when it’s appropriate. Do something during that break where you interact with others. Write an email to a friend. Call an elderly relative. Just don’t take a break for too long, or you will not stay motivated in your work. Staying motivated will be my next post.

If you feel isolated while working from home alone, what do you do to combat that feeling?

Virtual conferences and me

My first-ever virtual conference took place September 17 to 19. It was for one of my professional organizations, American Copy Editors Society (ACES). It was huge, with over 500 attendees, I believe.

Yet it felt so small, because, like all the other participants, I attended in my home—in my case, in the little office I set up in the smaller bedroom of my condo. And I was by myself the whole time, save for the people on my laptop screen.

Now that I have attended a virtual conference, I can say that there are advantages and disadvantages compared to an in-person conference.

First, it really doesn’t matter what you wear. I wore classy T-shirts, but not the fancy blouses I wore to the in-person EFA conference two years ago. I also wore sweatpants. Nobody could see them. Now, I am a person who works well and efficiently in sweats and T-shirts. Not everybody does, and if you find yourself feeling lazy in such attire, then dress to impress, even if you are only impressing your laptop.

Second, there are much fewer expenses. No airfare and no hotel room. Only the registration fee (which isn’t exactly cheap, but less expensive than the same fee at an in-person conference).

The biggest disadvantage of a virtual conference, however, is that networking is much more difficult—and a large part of the reason people go to conferences is to network, right? VCON 25 had a feature after each day of sessions in which people would enter a “welcome room” and then go into a chat room, where you could see an avatar for each person, hear their voice, and have a conversation. Not a zillionth as much fun as meeting people at a welcome reception in a hotel.

And although the sessions were wonderfully informative for the most part—so much so that I downloaded the slide decks from four of them—let’s face it: it’s tiresome to sit on your chair for hours viewing webinar after webinar or listening to a keynote speech. Especially when your chair is not ergonomic, like mine isn’t.

All in all, I have to say that a virtual conference is all the information of an in-person conference with none of the fun. I don’t think I will do this again.

The boundaries that editors must put up

Two weeks ago, I blogged about work-health balance for everybody. This post is somewhat related to that topic. I’m going to discuss the boundaries that editors must put up regarding their time.

Note that I specifically said boundaries, not walls. There’s a big difference between the two. Walls do not let anything in or out. Nothing can cross them. If there are walls between you and your clients, you are not interacting with them at all. This would, of course, defeat the whole purpose of your editing business.

Boundaries, however, are at least somewhat permeable. When you have boundaries between yourself and your clients, you are interacting with them. The interaction, however, needs to be healthy. That’s why the boundaries are there.

As an editor, you first and foremost need to establish boundaries regarding your time. This means that you have hours when you work and hours when you don’t, and you need to communicate this to your clients in some way, especially if a client is on the needy side. If a client calls you at 8:00 pm wanting to ask questions or discuss an issue, and you shut down your computer at 5:00 pm, don’t give in. Politely explain that your working hours are between 8:00 am and 5:00 pm (or whenever), and that you would be happy to discuss things with them in the morning (if at all possible, give a specific time).

Establishing boundaries regarding your time also includes your breaks during the day. It is best not to answer phone calls from clients during your lunch break, as I learned about five years ago. A client called me while I was heating up some food, and when I explained that I was fixing my lunch, they said, “Is it a hot lunch? I really need to talk to you.”

It is important to note that working late to make a deadline is a whole other animal and is not, repeat, not a violation of one’s time boundaries. I have burned the 10:00 pm oil on more than one project (but thankfully, not too many) and I am not ashamed of it at all. Sometimes this is required, even though the work was planned carefully.

What kinds of boundaries do you normally set regarding communicating with clients?

What I wish they knew

I worked in scientific research laboratories for eight years. It wasn’t easy, given that I have cerebral palsy (CP).

Now, I would like to clarify that my case of CP is not severe—meaning that I do not use a wheelchair or other assistive device, and I am able to speak. However, it does affect my gait and fine motor coordination.

Many (but thankfully not all) of my lab coworkers did not understand what it was like to do experiments and procedures with such a disability. I wish they had known the following back then:

  • It takes me longer to do certain procedures. Not all procedures, but certain ones. I had to work deliberately to load a DNA sequencing gel (boy, is that ever a throwback) so my samples would not disappear into the buffer, or to split cultures of cells (among some other procedures about which I won’t go into detail). I have actually had a boss gripe at me, “What’s taking so long?” more than once. And a professor I once had for a class in cell culture was concerned that I was often the last student to finish working at the end of the lab period.
  • Working with CP is often very frustrating, and so I often grunt when I accidentally tear, drop, or break something because I cannot satisfactorily control my hands. “Stop grunting!” someone will often say. Well, at least I don’t swear.
  • Again, because working with CP is frustrating, I cry once in a while. Some folks may think this is very unprofessional. I think it’s very cleansing. I can’t help if I feel distraught.  However, I don’t let it all out until I have had a chance to go to the restroom.

Like many disabilities, CP is one of those where one says, “If you don’t have it, you don’t get it.”

What are your thoughts?

The balancing act

We hear a lot of talk about work-life balance, and “life” in this case includes our health. After all, we must work in order to earn money for food and healthcare in order to stay healthy, but we need to stay in good health in order to do quality work for our employers.

I have to admit that there have been times in my life when I did not have a good work-health balance, and I learned a lot from those times. Please allow me to share some lessons I acquired over the years.

  • Go to the doctor when you need to. If you feel really sick, call in sick. If your employer requires a note from the doctor, don’t feel intimidated about asking for one. If you go to work while sick, you will definitely not do your best work.
    • Eat lunch. Even if you don’t feel hungry during your designated lunch break, eat something. Your body will thank you later. Don’t take a two-hour lunch, but eat something. (No, I have never taken a two-hour lunch, but I have made the mistake of not eating. I did not do quality work later when I was hungry and weak.)
    • If you have a diagnosed medical condition, don’t skip or put off maintenance doctor appointments because you are afraid of missing work. (You may need to consult the next person up in the chain of command if your supervisor gives you a hard time about this.) After all, if you have been diagnosed with cancer or thyroid disease or anything that won’t be solved in one visit, you won’t be doing yourself or anyone else any favors if you ignore it.
    • Remember that mental health is health, too. Yes, there exists a lot of stigma about going to a therapist or taking psychotropic medication, but when your mental health is good, your work output will be good, too—at least, it has a much higher probability of being good.

    What are your thoughts on the work-health balance?

    Please be kind to your editor.

    Please respect your editor—especially your editor with a disability.

    Many people don’t picture editors as having disabilities. After all, “an editor is supposed to know about writing better than I do.”

    But many disabilities are invisible, and an editor can have a disability which is either invisible or more visible.

    An editor can be blind. I personally have never known a blind editor, but I know a legally blind attorney. This person’s profession requires a lot of reading and writing. She has done a fabulous job as an attorney using accommodations, such as someone reading her documents out loud and a computer program which enlarges all of the font on her screen. I can certainly picture such accommodations helping an editor who is visually impaired.

    An editor can struggle with a disease that requires many medical visits, such as cancer that requires chemotherapy or a kidney problem that requires dialysis. This editor does their very best to meet your deadline, but they may possibly have to renegotiate if their treatments cause them to become sick or weak.

    An editor may also get pregnant (not a disability, but a condition nonetheless) and have to go on maternity leave, even if she is self-employed; she will need time to get adjusted to a new member of her family. Even after she returns to work, don’t be surprised if you hear squalling in the background during the next Zoom call with her.

    An editor may have a learning disability. Please don’t write them off. A better term for such a condition is “learning difference.” This editor can learn just as well as you can. They just have to do it in a different way—one which was probably not available to them in school. They can edit just as well as other editors, but they need to do it in a different way. When they were a child, they most likely dealt with ridicule from their teachers and peers while their parents swam through the ordeal of getting them a 504 plan. Not fun for anyone.

    Please be kind to your editor.

    Different modes of dress

    There is a lot of talk about dress codes in the office. The dress code in many offices is often referred to as “business casual.”

    My father worked for the federal government from the 1960s to the early 1990s, when office dress codes were more formal. I remember being a child and watching him leave for work every day in a suit and tie. I don’t know what the women in his office wore, but I imagine they wore dresses and skirts and maybe suits. And fancy shoes that hurt their feet.

    Near the end of my father’s tenure in the government, the dress code in his office relaxed. They even began to have “casual Friday.” On these days, my father would wear a green Champion sweatshirt—with a dress shirt underneath and dress pants.

    I personally cannot say much about the dress codes in a typical office, because I never worked in one. I worked in academic research labs. These labs have dress codes as well, but they are completely different from those in an office.

    For example, jeans are permitted in a lab and are often encouraged. Even though a technician wears a white lab coat (which is often a mandatory part of the dress code), there is still the possibility of something getting splashed on their legs. It is also possible that the technician may have to get down on their knees to operate or fix a piece of equipment. For that, they would not want to be wearing dress slacks or a nice skirt. T-shirts and sweatshirts are passable in an academic lab as well, as long as they do not display anything objectionable or political.

    There are, of course, items of clothing that should not be worn in a lab. Open-toed shoes of any kind are a no-no, for obvious reasons. (I have seen several lab workers try to get away with this, with the result being that their entire lab had to go undergo special safety training.) Neither shorts nor miniskirts are a good idea, either.

    As for industrial labs, I cannot say anything about their dress codes, because I have never worked in one.

    Is there anything you like or dislike about the dress code where you work?

    I’m giving up on you…

    Is it ever okay to give up on a book?

    Some people say no. They are determined to finish whatever book they start reading, no matter how dull or uninteresting the story or material has become. These are the people who keep the book through which they are slogging on the coffee table or nightstand for eons. I’m sure you know at least one person like that.

    I used to be one of them—until this month.

    It was one of my close friends who is an avid reader who told me that’s it’s okay to give up on a book.

    I’ve decided to give up on Michael Crichton’s Rising Sun. A few blog posts back, I mentioned several novels of Crichton’s that I read and thoroughly enjoyed. Rising Sun was absent from that post. I’m not saying that it was poorly written—Crichton’s usual polish was there. But I am saying this:

    The book has very little, if anything, to do with science or medicine. When I started reading it, I did not expect a story about either, for I knew this was a murder mystery. It’s perfectly fine with me if Crichton wants to write a murder mystery for a change. But this one seemed to drag. The action seemed to take place mostly in a car, with the two main characters zipping here and there and meeting this person and that person and then scooting off to another place. To me, that got old. It got old to the point where I finally said, “Who cares who killed this woman?”

    Suffice it to say that it’s all right to give up on a fiction book if you are not into the story or the characters.

    It is also okay to give up reading fiction or nonfiction if the writing is bad. I cannot think of any books I’ve read recently where the writing was so subpar that I gave up reading. However, one book I finished that I probably should have given up on was John Saul’s Creature, which was horribly predictable. (To Mr. Saul’s credit, he has written several other novels which were much better.)

    Was there ever a book which you gave up on?